A Love Supreme with Dae Bryant
Talking to Dae feels like rewiring my thoughts. When he described the connection between philosophy and music, I immediately related to his lived experience. He is someone who is creating his own way of living.
Category Music
How do we listen?
We approach music as a practice of deep listening, to oneself and to the sounds and dynamics of the world, and response. Through conversations with composers, musicians, and other sound artists, we explore music as meditation, improvisation, and shared somatic experience.
Photo © by CydScottPhotoMaking a Life, Not a Career: Listening for the Life That Wants to Grow with Paul Hansen
Paul Hansen is the person who inspired me to explore this theme I call Art of Life. When we last talked on Zoom, he said something that stayed with me: artists have to find their own way to live because no two lives unfold the same way. In this interview, Paul repeated that the essence of life is a long chain of decisions made based on one's own aesthetic sense, and that is what it means to be an artist.
Freedom to Flow with Todd Marston
No one ever actually told me how to live as a musician. There are many ways, and you have so much freedom to create your own way. And that’s not easy because the choices are endless. So, I started this series of interviews to ask my friends how they live as artists. This first interview was with Todd Marston, my long-time friend and a keyboard player, composer, and educator.
Let Me Have It All: Reconsidering Sly & the Family Stone’s Fresh
Sylvester "Sly Stone" Stewart died on June 9th, 2025. There have been a lot of narratives about his life and death, but less about his music, particularly his under-appreciated 1973 album, Fresh. True to its title, Fresh is lighter, more relaxed, and much more personal than any music Sly had written to date. It's also much funkier, as Sly had in turn embraced the deep grooves of the Bootsy Collins-era JBs of James Brown.
Photo © by Dirk VerheRema Hasumi: Finding Inspiration and Connection in Music and Motherhood
Rema Hasumi’s music rises to higher ground, but it navigates deep and turbulent waters to get there. That journey has taken on new dimensions in recent years, as her journey through motherhood has reshaped both her life and art, leading to the release of her new album, Mothers.
Photo © by Christopher PelhamFor Every Work Has Several Faces: A Conversation with Yoko Tawada about Writing and Translation
I had the honor of introducing Yoko Tawada’s seminal lecture “Every Work Has Several Faces: A Conversation with Yoko Tawada about Writing and Translation,” delivered at the Lenfest Center for the Arts, Columbia University School of the Arts, on March 27, 2025. In this article, I expand on that introduction, exploring how Tawada, a borderless wordsmith, shatters linguistic confines through writing and translation: her language erases frontiers and reconfigures reality, existing not as the ruins of Babel, but as a thriving, pulsating, organic entity.
Born in Tokyo and now residing in Berlin, Tawada is a celebrated writer of fiction, poetry, and a deeply engaged thinker on the nature of language. Writing in both German and Japanese, she is recognized as one of the most distinctive multilingual voices in contemporary literature.
Five Ways To Think About Parliament’s Mothership Connection
2025 marks the 50th anniversary of the seminal funk album Parliament's Mothership Connection.
Photo © by Christopher PelhamFinding Freedom in Music & Motherhood — Yukari Sekiya 関谷 友加里 at Studio T-Bone, Osaka (4/19/24)
While struggling to find contemporary jazz venues in Osaka, I stumbled upon Studio T-Bone, a venue supporting both live jazz and photography and decided to visit. Pianist Yukari Sekiya 関谷 友加里 and percussionist Naoto Yamagishi 山㟁直人 やまぎしなおと were improvising together. While I didn't manage to get to know them well on that occasion, I was delighted to spend time with the creative family members running the studio. A chance encounter months later unexpectedly brought Yukari back into my mind. When I reached out to her, she responded, and I've now learned what a deep and inspiring artist and person she is, opening the door to possible future collaborations. It was a powerful reminder that we can't always see right away why our intuition speaks to us. Sometimes, it may be setting something in motion far in the future or for a purpose quite different from what we imagine.
Photo © by Christopher PelhamSinikka Langeland — Channeling the Spirits of the Forest at Mokkiriya, Kanazawa, 4/21/24
This was the only night I could conceivably visit Kanazawa, and fatefully, Sinikka was performing at the historic Mokkiriya jazz cafe and live house, founded in 1971, on this night, on tour from Norway. Meeting her in western Japan was as fortuitous as it is unlikely. Sinikka performs jazz-inflected songs inspired by the traditional music of the Forest Finns on a 39-string kantele (a kind of harp that sits horizontally on a table) that are haunting and unforgettable.
Sinikka’s singing is as clear as a bell. Yet, the purity of her voice and her decisive intonation, coupled with the dulcet sounds of her instrument, also express something profound, conveying compassion, mystery, and an ancient knowing. Gently, her music flows all around us, free of impurity and full of wonder, like a spring whose pristine and paliative waters well up from some primordial source. I wanted to know what makes Sinikka’s music so grounding, purifying, and ethereal — and what she was doing in Japan!
Photo © by Christopher Pelham置き去られた鏡 The Forsaken Mirror by Chie Matsui 松井智惠 at Gallery Nomart, Osaka 4/20/24
On my last night in Osaka, I attended the closing night reception for the solo exhibition 置き去られた鏡 The Forsaken Mirror by celebrated artist Chie Matsui 松井智惠. The performance consisted of music by avant-garde musicians sara (piano, perc.) & Shin’ichi Isohata 磯端伸 (guitar) and a poem read in Japanese, Korean, and English by Chie, Yangjah, and Miho, respectively. At first, I didn’t know what to make of the performance or the abstract, brightly colored prints surrounding a centrally hung mirror. Eventually, in the space created by the disorientation and abstraction, I reflected on who these people were, who I was, and the various identities we experience throughout life, which proved enlivening.
Photo © by Christopher PelhamAsuca Hayashi 林明日香 — Song of the Earth, Tokyo (May 5, 2024)
On a sunny 5th of May — Children’s Day in Japan — I made my way to what seemed like an unlikely venue, Mifa Football Cafe, for a matinee child/family-friendly concert and luncheon called “Song of the Earth,” organized by the J-Pop singer Asuca Hayashi 林明日香. Mifa is located in Toyosu, one of a series of artificial islands in Tokyo Bay just southeast of the former Tsukuji Fish Market in Tokyo, a strange but fitting location. Both Asuca and the people of Tokyo were charting a new course in pursuit of more healthy, sustainable lives.
Photo © by Christopher PelhamThe Sound of Freedom: Pianist Hitomi Nishiyama at SUB (Osaka, 4/18/24)
My encounter with the well-known — but new to me — pianist Hitomi Nishiyama 西山瞳 at SUB Jazz Cafe, a seminal jazz club in Osaka, took me to places I never expected. Although she was playing jazz standards with a makeshift band, her music and career, characterized by curious changes in direction and exquisite elaborations on connections previously unrecognized, set us free.