My research into global religions led me spinning barefoot, one foot after the other. When inevitable dizziness set in, my elders reminded me to ground myself with both palms on the floor. As I loved to learn through experience, I became the sole child member of a Sufi whirling group that met on Thursdays. Even then, I was profoundly drawn to people of different walks of life. The community consisted of practicing Sufis, including (I gathered from what they shared in our circle) people formerly addicted to drugs, and people suffering from PTSD, seeking respite. Through the poetry of Rumi and devotional music, I was introduced to “Sama,” a word that translates to “listening” and, in my experience, involves the redirection of attention to achieve deeper connection.
My encounter with the well-known — but new to me — pianist Hitomi Nishiyama 西山瞳 at SUB Jazz Cafe, a seminal jazz club in Osaka, took me to places I never expected. Although she was playing jazz standards with a makeshift band, her music and career, characterized by curious changes in direction and exquisite elaborations on connections previously unrecognized, set us free.
At the Aichi Triennale 2025, one experience stood out as a shared highlight for our group of thirteen: Bird by the brother-and-sister team Selma and Sofiane Ouissi. Doves make no effort to “collaborate” or to “create a good work.” For this reason, Sofiane must have needed a radically different reconstruction of bodily context than in dancing solo or with another human. That was what I wanted to witness.
On my first night in Kyoto, I attended FOUR DANCERS vol281 at UrBANGUILD, a cafe/bar and multidisciplinary performance space in the heart of Kyoto. Like an old-school club on the Lower East Side of Manhattan, it’s dark, grungy, and covered in flyers. UrBANGUILD presents a wide variety of younger and older artists and draws an extremely diverse audience as well, making it a beloved oasis for contemporary and experimental performing artists in the otherwise more traditional and conservative-minded Kyoto. I came to see two artists in particular, Chizuko Kotani / 小谷ちず子 and Miwako Inagaki / 稲垣美輪子.







