鳩と共に踊る〜ソフィアン・ウイスイ〜
Photo © by Pol Guillard, L’Art Rue-Dream City 2025「あいち国際芸術祭2025」において、私た…
Photo © by Pol Guillard, L’Art Rue-Dream City 2025「あいち国際芸術祭2025」において、私た…
Photo © by Hai Yen HoPerhaps it was a kind of revelation when I realized what I longed for was a lake. A still lake, shrouded in mist — peaceful, yet faintly uncanny. And Morcote, by Lake Lugano, appeared as the answer, after just a few seconds of searching on my computer.

1990年代以来、国際的なアート界で高い評…

by Megumi Miyamoto | Jan 3, 2025 | Art …

by 香咲弥須子| Jan 2, 2025 | Art この秋…
Photo © by Hai Yen HoAmong the countless fragments of memory vying to become the most precious, the one that lingers deepest within me is of a morning by the sea. In that fragment, I see myself sitting in a small coracle, watching an old starfish struggling in its quiet encounter with death.

No one ever actually told me how to live as a musician. There are many ways, and you have so much freedom to create your own way. And that’s not easy because the choices are endless. So, I started this series of interviews to ask my friends how they live as artists. This first interview was with Todd Marston, my long-time friend and a keyboard player, composer, and educator.
Photo © by Hai Yen HoThe world is full of people who leave the place they were born, only to survive and then die in a place they never expected to live. The world is full of people who live without purpose, without any relationships, without any stories, or many that no one cares to know, despite the constant progress of everything around them. Such people tend to appear the most often in America, and even more in New York, the place where the no-identity-faces gather, the embodiment of the splendid America, the image that represents the most solid but also the most easily shattered dreams.
I saw one of them on the first morning after arriving in New York right after stepping out of a concrete hotel on Twenty-fourth Street, heading towards Seventh Avenue. For a moment, I had the idea of doing something different from the drivers — that is, following the African man to his destination.

Sylvester "Sly Stone" Stewart died on June 9th, 2025. There have been a lot of narratives about his life and death, but less about his music, particularly his under-appreciated 1973 album, Fresh. True to its title, Fresh is lighter, more relaxed, and much more personal than any music Sly had written to date. It's also much funkier, as Sly had in turn embraced the deep grooves of the Bootsy Collins-era JBs of James Brown.
Photo © by Dirk Verhe蓮見令麻の音楽は高みへと向かっていくが…
Photo © by Nguyễn Tuấn CườngThe first time I encountered one of Nguyễn Tuấn Cường's works, I found myself stunned before a canvas not characterized by richness, but by solidity. It was a painting of a bowl — an ordinary, creased enamel bowl — so realistically rendered it seemed to be living. Not polished, not idealized. It just was. Its rim chipped, its pale blue faded to something almost ghostly, the bowl rested ever so slightly askew on a darkened ground, emanating not surface light but a glow from deep within the layers of lacquer.
Photo © by Hai Yen HoThe previous night, the snow fell heavily. The snowflakes fell gently yet fiercely, floating through the night like magical creatures. The cold crashed on me suddenly as soon as I stepped outside, aggressively occupying all the corners in my body, sneaking into every inch of carelessly exposed skin. The cold froze on the skin, piercing my brain, aching with every breath. On cold winter nights like this, the best thing to do is to stay in a cozy room, drink a cup of ginger tea, and talk about everything — except politics, of course. Politics in Russia these days is taboo. Russians avoided the subject like a terminal illness. “War in Ukraine? No, don’t worry, we are fine.” They changed the subject. Except Varf Labec.