On my last night in Osaka, I attended the closing night reception for the solo exhibition 置き去られた鏡 The Forsaken Mirror by celebrated artist Chie Matsui 松井智惠. The performance consisted of music by avant-garde musicians sara (piano, perc.) & Shin’ichi Isohata 磯端伸 (guitar) and a poem read in Japanese, Korean, and English by Chie, Yangjah, and Miho, respectively. At first, I didn’t know what to make of the performance or the abstract, brightly colored prints surrounding a centrally hung mirror. Eventually, in the space created by the disorientation and abstraction, I reflected on who these people were, who I was, and the various identities we experience throughout life, which proved enlivening.

Pianist Eunbi Kim: How to Love Through Deep Listening
This spring I had the pleasure of attending two uplifting events led by pianist Eunbi Kim at the National Arts Club, where she is one of 14 2023/2024 National Arts Club Artist Fellows. Rather than presenting formal concerts, Eunbi (she/her) created a series of...
Ishinomaki Reborn (April 12, 2024)
This large sign, emblazoned with the words がんばろう!石巻 meaning Let's Go, Ishinomaki, was found placed in the ruins of downtown Ishinomaki just beyond the seashore shortly after the disaster to rally the community. It was preserved and is now displayed in the Kadonowaki...
Nikko (April 11, 2024)
The dragon fountain in front of Rinnouji Temple Since the founding of Shihonryuji Temple (which later became Nikkosan Rinnoji Temple) by the Buddhist monk Shodo in 766, Nikko, a small town about 90 miles north of Tokyo in Tochigi Prefecture, became known as a sacred...
Imaishi — April 10, 2024
After one night in Tokyo and a quick lunch (inexpensive but outstanding chirashi-sushi with a photographer friend in Tsukuji), I took the Tohoku Shinkansen train from Ueno Station to Utsunomiya and transferred to the JR Nikko line but got off one stop early at...