Love Sculpture by Mariko Mori, at SKNY, photo by Christopher PelhamPhoto © by Radiance exhibition by Mariko Mori installation view, photo by Christopher Pelham
The creations of Japanese artist Mariko Mori, a respected and well-known figure in the international art world since the 1990s, have never seemed more present, needed, and timely than now. Why? In an era saturated with stimuli, her work invites us to slow down, suspend our assumptions, and enter a quieter relationship with ourselves, one another, and the world. Her art calls us back to what she simply names Radiance, the light and interconnectedness that underlie everything.
New Birth © by Bassim Al Shaker, photo by Megumi Miyamoto
Before encountering the artworks themselves, the moment I stepped into the venue, I felt as though I were descending into the deep sea. A profound stillness emerged—the kind found when one sinks toward the ocean floor, where only one’s inner pulse can be heard. I noticed my breath slowing, and I simply watched it do so. From the space itself, I sensed a quiet invitation: you can go deeper. At the same time, I felt momentarily overwhelmed by the intensity of the energy. I sat down, closed my eyes, and listened to the presence lingering in the air.
Aichi Triennale 2025
During my autumn stay in Japan, two compelling reasons drew me to the Aichi Triennale, which brought together a diverse group of non-Western artists/groups, including participants from the Middle East, Africa, and Latin America, alongside Asian artists/groups, with twenty-six from Japan, and took place in the Aichi Arts Center and Aichi Prefectural Ceramic Museum in Seto City, Japan from Sept 13 to Nov 30, 2025.
Album cover of Fresh
Sylvester "Sly Stone" Stewart died on June 9th, 2025. There have been a lot of narratives about his life and death, but less about his music, particularly his under-appreciated 1973 album, Fresh. True to its title, Fresh is lighter, more relaxed, and much more personal than any music Sly had written to date. It's also much funkier, as Sly had in turn embraced the deep grooves of the Bootsy Collins-era JBs of James Brown.
The first time I encountered one of Nguyễn Tuấn Cường's works, I found myself stunned before a canvas not characterized by richness, but by solidity. It was a painting of a bowl — an ordinary, creased enamel bowl — so realistically rendered it seemed to be living. Not polished, not idealized. It just was. Its rim chipped, its pale blue faded to something almost ghostly, the bowl rested ever so slightly askew on a darkened ground, emanating not surface light but a glow from deep within the layers of lacquer.
Yoko Tawada, Professor Rivka Galchen, Susan BernofskyPhoto © by Christopher Pelham
I had the honor of introducing Yoko Tawada’s seminal lecture “Every Work Has Several Faces: A Conversation with Yoko Tawada about Writing and Translation,” delivered at the Lenfest Center for the Arts, Columbia University School of the Arts, on March 27, 2025. In this article, I expand on that introduction, exploring how Tawada, a borderless wordsmith, shatters linguistic confines through writing and translation: her language erases frontiers and reconfigures reality, existing not as the ruins of Babel, but as a thriving, pulsating, organic entity. Born in Tokyo and now residing in Berlin, Tawada is a celebrated writer of fiction, poetry, and a deeply engaged thinker on the nature of language. Writing in both German and Japanese, she is recognized as one of the most distinctive multilingual voices in contemporary literature. 
Photo © by Trà My “Emmy” Truong
I initially knew Emmy only as one of the friendly baristas at Lê Phin, the lovely little Vietnamese cafe in the East Village that I stop by nearly every day to work, meet people, and enjoy their exquisite pandan matcha lattes and coffees. As soon as we started talking, I realized she was intelligent, confident, and mature. She was actually a working artist dedicated to bringing more beauty into the world and chose to work at the cafe occasionally to learn more about the food/hospitality industry. As I became more familiar with her work, I found that I loved her artist eye, her color sense, and her approach to life and art.
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Yoko Tawada, Professor Rivka Galchen, Susan BernofskyPhoto © by Christopher Pelham

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